The Original Rhythmical Grammar of the English Language |
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Página iv
Swelling or Increasing in Loudness - Decreasing in Loudness . - Loudness
uniformly continued 123 CHAP , XI . Monotone . -No Monotone , musically
speaking , exists in Spoken Language .-- Errors of Aus Page thors concerning
Monotone .
Swelling or Increasing in Loudness - Decreasing in Loudness . - Loudness
uniformly continued 123 CHAP , XI . Monotone . -No Monotone , musically
speaking , exists in Spoken Language .-- Errors of Aus Page thors concerning
Monotone .
Página 145
The same author defines monotone to be 6 a continuation or sameness of sound
, like that produced by repeatedly striking a bell ; it may be louder or softer , but
continues exactly in the same pitch . ” He gives the following example as a
perfeci ...
The same author defines monotone to be 6 a continuation or sameness of sound
, like that produced by repeatedly striking a bell ; it may be louder or softer , but
continues exactly in the same pitch . ” He gives the following example as a
perfeci ...
Página 146
ought to be pronounced , for what he calls a sameness of voice or monotone . Let
this passage be pronounced with the monotonous tones of song according to the
directions of this writer , and this sublime passage of Milton will be completely ...
ought to be pronounced , for what he calls a sameness of voice or monotone . Let
this passage be pronounced with the monotonous tones of song according to the
directions of this writer , and this sublime passage of Milton will be completely ...
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Contenido
Music Its original use Equally applicable | 1 |
CHAP II | 17 |
CHAP III | 40 |
Derechos de autor | |
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Términos y frases comunes
accent accidents according acute applied artificial beauty begin cadence called common composed consequence considered distinct effect elocution emphasis English equal examples expression eyes fall feeling feet force four give grace Grammar grave Greek hand heart heaven heavy kind language learned length light light syllables look loud manner marked means measure melody meter mind mode monotone nature necessary never notes o'er object observed organs passion pauses poetry present principles produce pronounced proper properly proportion prose prosody quantity reader reading and speaking reason require rest rhetorical rhythm rhythmical rising rules sense sentence short sing soft song sound speaker speaking speech spoken sweet syllables taste thing thou thought tion tone triple varieties verse voice written