The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
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Página 6
... never practise his les- son but in the presence of the master . Respectable teachers of music , do not attempt to teach pupils who will not study at home . Why do not teachers of elo- cution require , nay , demand a similar preparation ...
... never practise his les- son but in the presence of the master . Respectable teachers of music , do not attempt to teach pupils who will not study at home . Why do not teachers of elo- cution require , nay , demand a similar preparation ...
Página 8
... never require ? We should not , therefore , be surprised , although we cannot distinguish rhetoricians , in their public speaking , as to manner , that is , delivery or modern elocution , from the herd of those public speakers who have ...
... never require ? We should not , therefore , be surprised , although we cannot distinguish rhetoricians , in their public speaking , as to manner , that is , delivery or modern elocution , from the herd of those public speakers who have ...
Página 128
... never upon mere syllables . This loudness or softness , the application of which , in musical language , is said to be ad libitum , that is , at the pleasure of the performer , is totally different from the emphasis of and , which is never ...
... never upon mere syllables . This loudness or softness , the application of which , in musical language , is said to be ad libitum , that is , at the pleasure of the performer , is totally different from the emphasis of and , which is never ...
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Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words