The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
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Página ix
... present , al- though we are in the constant use of these , in all reading and speaking , yet of the nature of most of them , and their influence , we know nothing . 3. By this , we have all these as evident before our eyes as the words ...
... present , al- though we are in the constant use of these , in all reading and speaking , yet of the nature of most of them , and their influence , we know nothing . 3. By this , we have all these as evident before our eyes as the words ...
Página 9
... present mode of tuition , and the time and study that a modern education bestows on public speak- ing . Having no marks to convey to the eye a distinct idea of the accidents of language , men are obliged to teach and to learn the art of ...
... present mode of tuition , and the time and study that a modern education bestows on public speak- ing . Having no marks to convey to the eye a distinct idea of the accidents of language , men are obliged to teach and to learn the art of ...
Página 81
... present points of grammarians are made to act in a double capacity ; that is , to serve the purpose of both grammatical points and rhetorical pauses , and there are six of them , viz . , ; : . ? ! Let these points be applied exclusively ...
... present points of grammarians are made to act in a double capacity ; that is , to serve the purpose of both grammatical points and rhetorical pauses , and there are six of them , viz . , ; : . ? ! Let these points be applied exclusively ...
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Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words