The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
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Página 43
... quantity , the o , is equal to the time of pronouncing such words as oh , O , ah : or aim , fame , roam , moan , & c . as they are spoken in deliberate reading and speaking . The absolute quantity of every syllable , as to the positive ...
... quantity , the o , is equal to the time of pronouncing such words as oh , O , ah : or aim , fame , roam , moan , & c . as they are spoken in deliberate reading and speaking . The absolute quantity of every syllable , as to the positive ...
Página 236
... quantity of Greek and Latin ? 4. In consequence of this , what is said of English quantity ? 5. What is the meaning of this ? 6. Is this true ? 7. But is it true , when applied to spoken lan- guage ? 8. How should the quantities of ...
... quantity of Greek and Latin ? 4. In consequence of this , what is said of English quantity ? 5. What is the meaning of this ? 6. Is this true ? 7. But is it true , when applied to spoken lan- guage ? 8. How should the quantities of ...
Página 237
... quantity . 16. What is their relative value ? 17. How do you lengthen a note or quantity in speech ? 18. How much longer does a note become , when it has a dot or point put to it ? 19. Can you exemplify this ? 20. To what time , in ...
... quantity . 16. What is their relative value ? 17. How do you lengthen a note or quantity in speech ? 18. How much longer does a note become , when it has a dot or point put to it ? 19. Can you exemplify this ? 20. To what time , in ...
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Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words