The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
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Página ix
... speech : at present , al- though we are in the constant use of these , in all reading and speaking , yet of the nature of most of them , and their influence , we know nothing . 3. By this , we have all these as evident before our eyes ...
... speech : at present , al- though we are in the constant use of these , in all reading and speaking , yet of the nature of most of them , and their influence , we know nothing . 3. By this , we have all these as evident before our eyes ...
Página 43
... reading and speaking . The absolute quantity of every syllable , as to the positive time it requires , is , in speech as in music , to a certain degree optional on the part of the read- er or speaker . Without this liberty , we should ...
... reading and speaking . The absolute quantity of every syllable , as to the positive time it requires , is , in speech as in music , to a certain degree optional on the part of the read- er or speaker . Without this liberty , we should ...
Página 69
... reading and speaking , will not exceed the time of pro- nouncing is or it ; or the syllables si or ti , in the same reading and speaking , when they occur in such words as possible , critical , & c . In the following examples , ' care ...
... reading and speaking , will not exceed the time of pro- nouncing is or it ; or the syllables si or ti , in the same reading and speaking , when they occur in such words as possible , critical , & c . In the following examples , ' care ...
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Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words