The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
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Página 48
... require of the ear , as far as it regards quantity , has been totally neglected . Memory of written examples is what the modern scholar relies on ; but pronunciation , giv ing the quantities duly characterised , is what Cicero and ...
... require of the ear , as far as it regards quantity , has been totally neglected . Memory of written examples is what the modern scholar relies on ; but pronunciation , giv ing the quantities duly characterised , is what Cicero and ...
Página 68
... require . 4. They are frequently so placed as to be incompa- tible with the nature of a cadence , and consequently destroy the rhythm of a verse or clause . 5. The marks used , when rules are given for rheto- rical pauses , are the same ...
... require . 4. They are frequently so placed as to be incompa- tible with the nature of a cadence , and consequently destroy the rhythm of a verse or clause . 5. The marks used , when rules are given for rheto- rical pauses , are the same ...
Página 240
... require degrees or force ? 16. Do the light syllables require different degrees of force ? 17. How many degrees of light syllables are there ? 18. If the heavy syllable and the degrees of the light are not marked , what is the ...
... require degrees or force ? 16. Do the light syllables require different degrees of force ? 17. How many degrees of light syllables are there ? 18. If the heavy syllable and the degrees of the light are not marked , what is the ...
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Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words