The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
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Página 17
... Varieties explained , and their Application exemplified . ACCENT , as originally used and applied here , means all the varieties of inflexions or slides of the human voice , that can exist in spoken language . This was the meaning of ...
... Varieties explained , and their Application exemplified . ACCENT , as originally used and applied here , means all the varieties of inflexions or slides of the human voice , that can exist in spoken language . This was the meaning of ...
Página 99
James Chapman. modes , may be metrically subdivided into fraction- al parts . VARIETIES OF METER . The meters of cadences of the saine rhythm may be very various with regard to their internal sub- divisions or fractional parts . The ...
James Chapman. modes , may be metrically subdivided into fraction- al parts . VARIETIES OF METER . The meters of cadences of the saine rhythm may be very various with regard to their internal sub- divisions or fractional parts . The ...
Página 114
... varieties , from the slowest walking inovement , to the quickest running measure ; for , while the and the are alternate , the measure is common , without respect to the rapidity of their alternations . ·· The same varieties will be ...
... varieties , from the slowest walking inovement , to the quickest running measure ; for , while the and the are alternate , the measure is common , without respect to the rapidity of their alternations . ·· The same varieties will be ...
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Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words