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Página 59
Chaucer realized the artistic potential of gesture more fully than any English poet
before him had , and in the Tales he continued experimenting with the forms and
functions of gestures . This experimentation certainly increased the skill with ...
Chaucer realized the artistic potential of gesture more fully than any English poet
before him had , and in the Tales he continued experimenting with the forms and
functions of gestures . This experimentation certainly increased the skill with ...
Página 17
I have already intimated that this didactic function relies in part on the alignment
between the work's wider audience and a mimetic category of dramatis personae
. The mimetic principle which applies to the protagonist's audience also applies ...
I have already intimated that this didactic function relies in part on the alignment
between the work's wider audience and a mimetic category of dramatis personae
. The mimetic principle which applies to the protagonist's audience also applies ...
Página 261
The function of these descriptions is hard to appreciate insofar as for every such
advent or disappearance of ( day ) light which occurs in conjunction with a
change of mood or of fortunes ( symbolic function ) , there is one which appears
to ...
The function of these descriptions is hard to appreciate insofar as for every such
advent or disappearance of ( day ) light which occurs in conjunction with a
change of mood or of fortunes ( symbolic function ) , there is one which appears
to ...
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Contenido
Introduction | 9 |
Gesture and genre | 41 |
Range and variety | 59 |
Derechos de autor | |
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Términos y frases comunes
AASS action alignment analogues Andreas antagonists apostles associated attributed body Book ceremonial chapter character characterized Chaucer Christ Christian clause collocation connexion contains contrast conventional conversion course Criseyde Cynewulf death demonstrative described designate devil didactic divine dramatis personae effected Elene episode epithets evoked example expressive fact Felix figure Finally followers formulas frequently function further gestures God's Guthlac hagiographical hand hell hire imagery instances Jews Juliana later Latin legend less light lines litotes lives meaning mentioned Mermedonians mood motif narrative narrator nature occur Old English pale Pandarus paradise parallel particular passage passio patterns poem poet poet's poetry polarization present prose protagonist refer regard respectively romances Saint's sapiential says scene seems similar soul speech spiritual stage structure style suffering suggest Tale temptation tion torture traditional Troilus typological vita whereas þæt