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Página 28
Ovid says only that Pyramus turned pale ; Chaucer says , “ And pale he wex ;
therwith his heer aros ” ( 831 ) . Chaucer also renders one detail of Pyramus '
death throes with greater particularity than Ovid does . Ovid says that Thisbe saw
her ...
Ovid says only that Pyramus turned pale ; Chaucer says , “ And pale he wex ;
therwith his heer aros ” ( 831 ) . Chaucer also renders one detail of Pyramus '
death throes with greater particularity than Ovid does . Ovid says that Thisbe saw
her ...
Página 33
Addressing Venus , he says that he saw her “ Wepynge with ful woful chere ” (
214 ) and that he saw Jove kiss her ( 219 ) . The repeated use of the “ I saugh ”
formula for introducing the scenes from the Aeneid is worth noting because it ...
Addressing Venus , he says that he saw her “ Wepynge with ful woful chere ” (
214 ) and that he saw Jove kiss her ( 219 ) . The repeated use of the “ I saugh ”
formula for introducing the scenes from the Aeneid is worth noting because it ...
Página 44
Writing of the Bayeux tapestry , Pächt says that gestures are used there as
signposts guiding the beholder and helping him to grasp the significance of the
story ; they are never the organic result of the action in which the figures are
involved .
Writing of the Bayeux tapestry , Pächt says that gestures are used there as
signposts guiding the beholder and helping him to grasp the significance of the
story ; they are never the organic result of the action in which the figures are
involved .
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Contenido
Introduction | 9 |
Gesture and genre | 41 |
Range and variety | 59 |
Derechos de autor | |
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Términos y frases comunes
AASS action alignment analogues Andreas antagonists apostles associated attributed body Book ceremonial chapter character characterized Chaucer Christ Christian clause collocation connexion contains contrast conventional conversion course Criseyde Cynewulf death demonstrative described designate devil didactic divine dramatis personae effected Elene episode epithets evoked example expressive fact Felix figure Finally followers formulas frequently function further gestures God's Guthlac hagiographical hand hell hire imagery instances Jews Juliana later Latin legend less light lines litotes lives meaning mentioned Mermedonians mood motif narrative narrator nature occur Old English pale Pandarus paradise parallel particular passage passio patterns poem poet poet's poetry polarization present prose protagonist refer regard respectively romances Saint's sapiential says scene seems similar soul speech spiritual stage structure style suffering suggest Tale temptation tion torture traditional Troilus typological vita whereas þæt