Dramatic Discourse: Dialogue as Interaction in Plays
Psychology Press, 1998 - 331 páginas
Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon.
Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance.
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Dialogue interaction utterance
Ethnomethodology and comersation analysis
Otras ediciones - Ver todas
action altemative assumptions attempts audience Bartley behaviour beliefs Brabantio characters communication complex concemed concept conflict constructed context conventions conversation Coriolanus course cultural deictic centre deixis Dell Hymes Desdemona dialogue discourse display dominance dramatic speech effects Elam enacted extract female feminist fictional fictional world floor forms function gender given Hamlet Harry Harry's hearer ibid identity illocutionary illocutionary force implicatures inferences initiates instance institutional intemal intention inter,personal interaction interpretation involved issues Kent kind Laertes lago language Lear linguistic locutionary act male Maurya meaning mode mutual norms notion Ophelia options Othello participants patriarchal pattem pauses performance perlocutionary act person phatic play political Polonius possible pragmatic questions reference relation relevant response role rules Sarah scene segment self,selects sequence sexuality signify silence situation social space speak speaker specific speech acts speech event strategies structure tag questions talk tion topic tum,taking tums turu utterance verbal women
Improvised Dialogues: Emergence and Creativity in Conversation
Robert Keith Sawyer
Vista previa limitada - 2003
Todos los resultados de la Búsqueda de libros »
Exploring the Language of Drama: From Text to Context
Jonathan Culpeper,Mick Short,Peter Verdonk
Vista previa limitada - 1998