Dentro del libro
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Página 90
Probably without realizing it, Lachnith thus reproduced the rhythm that Mozart
had introduced at the beginning of the final symphony of Act I of Thamos. At that
time, Mozart had not been initiated; doubtless he then knew the ritual knockings
at ...
Probably without realizing it, Lachnith thus reproduced the rhythm that Mozart
had introduced at the beginning of the final symphony of Act I of Thamos. At that
time, Mozart had not been initiated; doubtless he then knew the ritual knockings
at ...
Página 147
Be that as it may, when Tamino and Pamina, hand in hand, leave the mountains
for the second time, having passed their quadruple trial, everything is
accomplished, and the chorus can celebrate their final victory. B. Pamina
Pamina's trials ...
Be that as it may, when Tamino and Pamina, hand in hand, leave the mountains
for the second time, having passed their quadruple trial, everything is
accomplished, and the chorus can celebrate their final victory. B. Pamina
Pamina's trials ...
Página 277
The original stops at the penultimate phrase ("im Stande sein"); Mozart added a
final phrase ("sich den Mysterien") for two reasons: because the original is not
long enough for the text being adapted to it; then musically because the chorale
is ...
The original stops at the penultimate phrase ("im Stande sein"); Mozart added a
final phrase ("sich den Mysterien") for two reasons: because the original is not
long enough for the text being adapted to it; then musically because the chorale
is ...
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Contenido
What Everyone Knows | 3 |
Traditions and Misunderstandings | 7 |
How Many Authors? | 11 |
Derechos de autor | |
Otras 24 secciones no mostradas
Otras ediciones - Ver todas
The magic flute, Masonic opera: an interpretation of the libretto and the music Jacques Chailley Vista de fragmentos - 1971 |
The magic flute, masonic opera: an interpretation of the libretto and the music Jacques Chailley Vista de fragmentos - 1971 |
Términos y frases comunes
allusion appears aria beginning Birdcatcher Cabinet of Reflection cadence century character chorale chords chorus comic composed degree duet E-flat major Editions Robert Laffont Egyptian Elements episode evokes fauxbourdon feminine initiation final Fire and Water Freemason Freemasonry fugue G major Giesecke glockenspiel idea initiatory Isis Jacques Chailley Jules Boucher kingdom later Leopoldstadt libretto lodge Loge magic flute masculine Masonic Masonry Massin Monostatos moral Mozart Night notes Oberon opera orchestra Otto Erich Deutsch Overture Pamina Papageno Paris Paul Nettl phrase plate from Editions play portrait preceding priests profane Queen represents rhythm rite ritual role rubric Salzburg Sarastro says Schikaneder Schikaneder's score serpent Sethos Seyfried significance silence Singspiel SPOKEN SCENE stage swoon symbolic Tamino Tamino and Pamina Temple Thamos theater theatrical Three Boys Three Ladies tion tonality traditional trial by Air trial by Earth trio Vienna violins voice Wisdom woman words Zauber Zauberflote