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ments, however, are incorporated in the editions of 1793 and 1803, by Mr. Steevens. Mr. Malone
says, that "from the year 1716 to the date of his edition in 1790,-that is, in seventy-four years, above
30,000 copies of Shakspeare have been dispersed through England." Among the honors paid to his
genius, we ought not to forget the very magnificent edition undertaken by Messrs. Boydell. Still less
ought it to be forgotten how much the reputation of Shakspeare was revived by the unrivalled ex-
cellence of Garrick's performance. His share in directing the public taste towards the study of
Shakspeare was, perhaps, greater than that of any individual in his time, and such was his zeal, and
such his success, in this laudable attempt, that he may readily be forgiven the foolish mummery of
the Stratford Jubilee.

When public opinion had begun to assign to Shakspeare the very high rank he was destined to hold,

he became the promising object of fraud and imposture. This, we have already observed, he did not

wholly escape in his own time, and he had the spirit or policy to despise it. It was reserved for modern

impostors, however, to avail themselves of the obscurity in which his history is involved. In 1751, a

book was published, entitled, "A Compendious or briefe examination of certayne ordinary Complaints

of diuers of our Countrymen in those our days: which, although they are in some Parte unjust and

frivolous, yet are they all by way of dialogue thoroughly debated and discussed by William Shakespeare,

Gentleman." This had been originally published in 1581; but Dr. Farmer has clearly proved that

W. S., gent., the only authority for attributing it to Shakspeare in the reprinted edition, meant William

Stafford, gent. Theobald, the same accurate critic informs us, was desirous of palming upon the

world a play called "Double Falsehood," for a posthumous one of Shakspeare. In 1770, was reprinted

at Feversham, an old play called "The Tragedy of Arden of Feversham and Black Will," with a

preface attributing it to Shakspeare, without the smallest foundation. But these were trifles compared

to the atrocious attempt made in 1795-6, when, besides a vast mass of prose and verse, letters, &c.,

pretendedly in the handwriting of Shakspeare and his correspondents, an entire play, entitled Vortigern,

was not only brought forward for the astonishment of the admirers of Shakspeare, but actually per-

formed on Drury Lane stage. It would be unnecessary to expatiate on the merits of this play, which

Mr. Steevens has very happily characterized as "the performance of a madman without a lucid interval,"

or to enter more at large into the nature of a fraud so recent, and so soon acknowledged by the authors

of it. It produced, however, an interesting controversy between Mr. Malone and Mr. George Chalmers,

which, although mixed with some unpleasant asperities, was extended to inquiries into the history and

antiquities of the stage, from which future critics and historians may derive considerable information.

1 Mr. Malone has given a list of fourteen plays ascribed to Shakspeare, either by the editors of the two later folios,

or by the compilers of ancient catalogues. Of these Pericles has found advocates for its admission into his works.

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Boats. Down with the top-mast; yare; lower, lower; bring her to try with main course. [A cry louder than the weather, or our office.

Alon. Good boatswain, have care. Where's the within.] A plague upon this howling! they are master? Play the men.

Boats. I pray now, keep below.

Ant. Where is the master, boatswain?

Boats. Do you not hear him? You mar our labor! keep your cabins: you do assist the storm. Gon. Nay, good, be patient.

Boats. When the sea is. Hence! What care these roarers for the name of king? To cabins: silence: trouble us not.

Gon. Good; yet remember whom thou hast aboard.

Boats. None that I more love than myself.1 Readily.

Re-enter SEBASTIAN, ANTONIO, and GONZALO.

Yet again? what do you here? Shall we give o'er and drown? Have you a mind to sink?

Seb. A pox o' your throat! you bawling, blasphemous, uncharitable dog!

Boats. Work you, then.

Ant. Hang, cur, hang! you whoreson, insolent noise-maker, we are less afraid to be drowned than thou art.

2 Present instant.

Sit down;

Gon. I'll warrant him from drowning; though | Which thou heard'st cry, which thou saw st sink. the ship were no stronger than a nut-shell, and as leaky as an unstaunched wench.

Boats. Lay her a-hold, a-hold; set her two courses; off to sea again, lay her off.

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For our case is as theirs.

Seb. I am out of patience.

Ant. We are merely cheated of our lives by drunkards.

This wide-chapped rascal;-'Would thou mightst lie drowning

The washing of ten tides!
Gon.

He'll be hanged yet; Though every drop of water swear against it, And gape at wid'st to glut him.

[A confused noise within.] Mercy on us!-We split, we split! Farewell, my wife and children!Farewell, brother!-We split, we split, we split. Ant. Let's all sink with the king.

Seb. Let's take leave of him.

[Exit.

[Exit.

Gon. Now would I give a thousand furlongs of sea for an acre of barren ground; long heath, brown furze, any thing: the wills above be done! but I would fain die a dry death. [Exit.

SCENE II. The island: before the cell of PROSEnter PROSPERO and MIRANDA.

PERO.

Mir. If by your art, my dearest father, you have Put the wild waters in this roar, allay them: The sky, it seems, would pour down stinking pitch, But that the sea, mounting to the welkin's cheek, Dashes the fire out. O, I have suffer'd

With those that I saw suffer! a brave vessel,

Who had no doubt some noble creatures in her,
Dash'd all to pieces. O, the cry did knock
Against my very heart! Poor souls! they perish'd.
Had I been any god of power, I would
Have sunk the sea within the earth, or e'er
It should the good ship so have swallow'd, and
The freighting souls within her.

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For thou must now know further.
Mira.

You have often
Begun to tell me what I am; but stopp'd
And left me to a bootless inquisition;
Concluding, Stay, not yet.-

Pro.

The hour's now come;

The very minute bids thee ope thine ear;
Obey, and be attentive. Canst thou remember
A time before we came unto this cell?

I do not think thou canst; for then thou wast not
Out three years old.

Mira.

Certainly, sir, I can.

Pro. By what? by any other house, or person? Of any thing the image tell me, that Hath kept with thy remembrance.

Mira.

'Tis far off';

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Both, both, my girl. By foul play, as thou say'st, were we heav'd thence;

But blessedly holp hither.

Mira.

O, my heart bleeds To think o' the teen that I have turn'd you to, Which is from my remembrance! Please you further.

Pro. My brother, and thy uncle, call'd Antonio,I pray thee, mark me, that a brother should Be so perfidious!-he whom, next thyself, Of all the world I lov'd, and to him put The manage of my state; as, at that time, Through all the signiories it was the first, And Prospero the prime duke; being so reputed In dignity, and, for the liberal arts, Without a parallel; those being all my study, The government I cast upon my brother,

And to my state grew stranger, being transported, And wrapt in secret studies. Thy false uncleDost thou attend me?

Mira.

Sir, most heedfully.

Pro. Being once perfected how to grant suits, How to deny them; whom to advance, and whom To trash' for over-topping; new-created

The creatures that were mine; I say, or chang'd them,

Or else new-form'd them: having both the key
Of officer and office, set all hearts

To what tune pleas'd his ear; that now he was
The ivy, which had hid my princely trunk,

And suck'd my verdure out on't.-Thou attend'st

not:

I pray thee mark me.

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Mira.

O good sir, I do. Instinctively had quit it: there they hoist us, Pro. I thus neglecting wordly ends, all dedi- To cry to the sea that roar'd to us; to sigh

cate

To closeness, and the bettering of my mind
With that, which, but by being so retir'd,
O'er-priz'd all popular rate, in my false brother
Awak'd an evil nature: and my trust,
Like a good parent, did beget of him
A falsehood, in its contrary as great

As my trust was; which had, indeed, no limit,

A confidence sans bound., He being thus lorded,
Not only with what my revenue yielded,
But what my power might else exact,-like one
Who, having unto truth, by telling of it,
Made such a sinner of his memory,

To credit his own lie, he did believe
He was the duke; out of the substitution,
And executing the outward face of royalty,
With all prerogative:-Hence his ambition
Growing,-Dost hear?

Mira. Your tale, sir, would cure deafness.
Pro. To have no screen between this part he
play'd

And him he play'd it for, he needs will be
Absolute Milan: Me, poor man!-my library
Was dukedom large enough; of temporal royalties
He thinks me now incapable: confederates

(So dry he was for sway) with the king of Naples,
To give him annual tribute, do him homage;
Subject his coronet to his crown, and bend
The dukedom, yet unbow'd (alas, poor Milan!)
To most ignoble stooping.

Mira.

O the heavens!

To the winds, whose pity, sighing back again,
Did us but loving wrong.

Mira.

Was I then to you!
Pro.

Alack! what trouble

O! a cherubim

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Sit still, and hear the last of our sea-sorrow.
Here in this island we arriv'd; and here
Have I, thy schoolmaster, made thee more profit
Than other princes can, that have more time

Pro. Mark his condition, and the event; then For vainer hours, and tutors not so careful.

tell me,

If this might be a brother.
Mira.

I should sin
To think but nobly of my grandmother:

Good wombs have borne bad sons.

Mira. Heavens thank you for't! And now I pray you, sir,

(For still 'tis beating in my mind,) your reason

For raising this sea-storm?
Pro.

Know thus far forth.

To me inveterate, hearkens my brother's suit;

Of homage, and I know not how much tribute, - A most auspicious star; whose influence

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This king of Naples, being an enemy

Which was, that he in lieu o' the premises,

By accident most strange, bountiful fortune,
Now my dear lady, hath mine enemies
Brought to this shore: and by my prescience
I find my zenith doth depend upon

Should presently extirpate me and mine

If now I court not, but omit, my fortunes

Out of the dukedom; and confer fair Milan,

Will ever after droop. Here cease more ques

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Come away, servant, come: I am ready now:
Approach, my Ariel; come.

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With colors fairer painted their foul ends.

In few, they hurried us abroad a bark;

Then meet, and join: Jove's lightnings, the precur

Bore us some leagues to sea; where they prepar'd

sors

A rotten carcass of a boat, not rigg'd,

O' the dreadful thunder-claps, more momentary

Nor tackle, sail, nor mast; the very rats

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And sight-outrunning were not: The fire, and

cracks

Of sulphurous roaring, the most mighty Neptune Seem'd to besiege, and make his bold waves tremble, Yea, his dread trident shake.

Pro.

Ari.

My brave spirit! Who was so firm, so constant, that this coil1 Would not infect his reason? Not a soul But felt a fever of the mad, and play'd Some tricks of desperation: All, but mariners, Plung'd in the foaming brine, and quit the vessel, Then all a-fire with me: the king's son, Ferdinand, With hair up-staring, (then like reeds, not hair,) Was the first man that leap'd: cried, Hell is empty, And all the devils are here. Pro.

Why, that's my spirit!

But was not this nigh shore? Ari.

Close by, my master.

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Is the king's ship; in the deep nook, where once
Thou call'dst me up at midnight to fetch dew
From the still-vex'd Bermoothes, there she's hid:
The mariners all under hatches stow'd;

Whom, with a charm join'd to their suffer'd labor,
I have left asleep: and for the rest o' the fleet,
Which I dispers'd, they all have met again;
And are upon the Mediterranean flote

Bound sadly home for Naples;
Supposing that they saw the king's ship wreck'd,
And his great person perish.

Pro.

Ariel, thy charge Exactly is perform'd; but there's more work: What is the time o' the day? Ari. Past the mid season.

Pro. At least two glasses: The time 'twixt six and now,

Must by us both be spent most preciously.

Ari. Is there more toil? Since thou dost give me pains,

Let me remember thee what thou hast promis'd,

Which is not yet perform'd me.
Pro.

Ari.

I do not, sir. Pro. Thou liest, malignant thing! Hast thou forgot

The foul witch Sycorax, who, with age and envy,
Was grown into a hoop? hast thou forgot her?
Ari. No, sir.
Pro.

Thou hast: where was she born?
speak; tell me.
Ari. Sir, in Argier.
Pro.

O, was she so? I must, Once in a month, recount what thou hast been, Which thou forget'st. This damn'd witch, Sycorax, For mischiefs manifold, and sorceries terrible To enter human hearing, from Argier, Thou know'st, was banish'd; for one thing she did, They would not take her life: Is not this true? Ari. Ay, sir.

Pro. This blue-ey'd hag was hither brought with child,

And here was left by the sailors: Thou, my slave,
As thou report'st thyself, was then her servant:
And, for thou wast a spirit too delicate
To act her earthly and abhorr'd commands,
Refusing her grand hests, she did confine thee,
By help of her more potent ministers,
And in her most unmitigable rage,
Into a cloven pine; within which rift
Imprison'd, thou didst painfully remain
A dozen years; within which space she died,
And left thee there; where thou didst vent thy

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How now? moody?

I will discharge thee. Ari.

What is't thou canst demand? Ari.

My liberty.

Do so; and after two days
That's my noble master!
What shall I do? say, what? what shall I do?
Pro. Go make thyself like to a nymph o' the sea;
Be subject to no sight but mine; invisible
I pray thee To every eye-ball else. Go take this shape,
And hither come in't: hence, with diligence.

Pro. Before the time be out? no more.
Ari.

Remember, I have done thee worthy service;
Told thee no lies, made no mistakings, serv'd

[Exit ARIEL

Without or grudge or grumblings: thou didst Awake, dear heart, awake! thou hast slept well;

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1 Bustle, tumult.

Bermudas.

a Wave.

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