The Missouri Harmony, Or, A Collection of Psalm and Hymn Tunes, and Anthems: An Introduction to the Grounds and Rudiments of Music

Portada
U of Nebraska Press, 1994 - 240 páginas
The Missouri Harmony was the most popular of all frontier tunebooks, with a history going back to 1820, when singing master Allen Carden introduced it into his St. Louis school. The 185 selections in The Missouri Harmony, compiled from earlier tunebooks, were old favorites used in churches and singing schools which sometimes convened in taverns. Abraham Lincoln and his sweetheart, Ann Rutledge, are said to have sung from The Missouri Harmony at her father's tavern in New Salem, Illinois.

Shirley Bean points out in her introduction the importance of tunebooks and frontier singing schools in teaching Americans to read music. The Missouri Harmony, continuing the European tradition of shaped notes, contained the largest collection of compositions for congregations and choirs. Carden included thirty-seven fuguing tunes, among them "Lenox" and "Sherburne." The Supplement, added in the seventh edition in 1835, contains twenty-three hymn tunes, four choral numbers, a sacred song, and a duet; Isaac Watts was the author of most of the texts.

This Bison Book edition duplicates the 1846 reprint of the popular ninth edition, which first came out in 1840. Shirley Bean's introduction provides a historical framework that will be welcomed not only by scholars but also by the modern shape-note singing community.

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Crítica de los usuarios  - vickila49 - LibraryThing

Reproduction of 1840 edition. It was published for 38 years. "The Quintessential frontier tune book." First introduced in St. Louis in 1820. Mr Carden compiled tunes from " The Musical Instructor ... Leer comentario completo

Páginas seleccionadas

Contenido

Sección 1
1
Sección 2
17
Sección 3
45
Sección 4
47
Sección 5
63
Sección 6
66
Sección 7
68
Sección 8
69
Sección 18
144
Sección 19
146
Sección 20
159
Sección 21
163
Sección 22
170
Sección 23
178
Sección 24
182
Sección 25
184

Sección 9
74
Sección 10
77
Sección 11
90
Sección 12
102
Sección 13
112
Sección 14
127
Sección 15
138
Sección 16
141
Sección 17
142
Sección 26
187
Sección 27
194
Sección 28
200
Sección 29
29
Sección 30
32
Sección 31
34
Sección 32
35
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Acerca del autor (1994)

Dr. Bean is an assistant professor at the Conservatory of Music, University of Missouri-Kansas City.

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