Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ArtistryAshgate Publishing, Ltd., 2007 - 251 páginas Robert Logan analyses the uncommonly powerful aesthetic bond between Marlowe and Shakespeare. Not only does he take into account recent ideas about intertextuality, but he also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatist's connections. |
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Contenido
Influence and Characterization in The Massacre | 31 |
Artistic Individuality and | 55 |
Edward II Richard II the Will to Play and an Aesthetic of Ambiguity | 83 |
The Influence of The Jew | 117 |
Marlowes Tamburlaine Plays Shakespeares Henry V and | 143 |
Dido Queen of Carthage as a Precursor | 169 |
Imprints of Doctor Faustus on Macbeth | 197 |
Marlovian Incentives | 231 |
247 | |
Otras ediciones - Ver todas
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Robert A. Logan Vista previa limitada - 2016 |
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Professor Robert A Logan Vista previa limitada - 2013 |
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Robert A. Logan Vista previa limitada - 2016 |
Términos y frases comunes
Aaron Aeneas aesthetic ambiguity Antony and Cleopatra artistic asserts audience awareness B-Text Barabas Barabas's behavior Caesar Cambridge characterization characters Charney Christopher Marlowe comic conflict context conventional critics death Deats desire Dido Dido's differences discussion Doctor Faustus dramatic dramatists dramaturgical Edward Edward II effect Elizabethan emotional epyllion example Faustus's feel figure forces Gaveston gender genre Greenblatt Guise Henry Hero and Leander heroic Ibid ideal imagination influence on Shakespeare irony Jew of Malta Jonson king language less literary Macbeth magic magician manliness Marlovian Marlowe and Shakespeare Marlowe's influence Marlowe's play Massacre At Paris means Merchant of Venice moral Moreover notion parody passage perspective poem political portray portrayal Prospero protagonists psychological Queen of Carthage Renaissance response Richard Richard II Rival Playwrights role scene seems sense sexual Shapiro Shylock similar soliloquy spectacle speech style suggest Tamburlaine plays theater theatrical Titus Andronicus tradition understanding University Press Venus and Adonis words writers