The Annotated Anne of Green GablesOxford University Press, USA, 1997 M08 28 - 496 páginas Since its publication in 1908, Anne of Green Gables has been a continuous international best-seller, enjoying successful television adaptations on PBS and The Disney Channel, and captivating children and adults alike with the irresistible charms of its remarkable heroine, Anne Shirley. This wildly imaginative, red-headed chatterbox tries to fit into the narrow confines of Victorian expectations, but her exuberant spirit keeps leaping delightfully beyond the bounds. Indeed, when Maud Montgomery decided to reject the sermonizing formulas of the children's books of her day, she brought to life a character much closer to Jane Eyre, David Copperfield, and Tom Sawyer--also orphans, like Anne--than to the self-sacrificing, conformist heroines then in demand. In doing so, Montgomery subtly questioned the values of her society--the stifling restraints of its religion and most especially its treatment of women--while giving readers all the pleasures of her considerable story-telling gifts.Now, in this first fully annotated edition of Anne of Green Gables, readers will appreciate more clearly than ever before the scope and depth of this extraordinary novel. Editors Margaret Anne Doody, Mary Doody Jones, and Wendy Barry provide a richly illustrated, completely revised text, along with hundreds of notes describing the real-life characters and settings Anne encounters, the autobiographical connections between Anne and Maud Montgomery, and the book's astonishing range of literary, biblical, and mythological references. Additional essays offer fascinating background information on such topics as the geography and settlement of Prince Edward Island (where Anne takes place); the education, orphanages, music, and literature of Anne's time; and the horticulture, homemade artifacts, and food preparation that are so prevalent in the story. Margaret Anne Doody supplies a comprehensive introduction, which situates the novel in its literary and social contexts, explores those aspects of Montgomery's life most relevant to the story, examines revisions in the manuscripts, and provides an overall sense of both the impulses that drove Montgomery to write Anne of Green Gables and the larger concerns it dramatizes so compellingly. This edition also contains a chronology of Montgomery's life, an extensive bibliography, songs and poems that appear in the text, and a selection of original reviews of the book. This wealth of material enables readers to grasp the marvelous multi-layeredness of the novel and to understand more fully its place in both its own time and in ours.Elegantly and beautifully designed, with generous illustrations from previous editions, photographs of the places the novel inhabits, and explanatory drawings that reproduce the texture of Anne's world, The Annotated Anne of Green Gables is a major event in the publishing history of one of the world's most charming stories. |
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Página 19
... things and persons . The room Marilla gives Anne to sleep in seems indicative of neglect , for it is loveless , bare ... thing , " and Marilla thinks of her as the " odd little fig- ure , " " a girl , " " a stray waif . " But after ...
... things and persons . The room Marilla gives Anne to sleep in seems indicative of neglect , for it is loveless , bare ... thing , " and Marilla thinks of her as the " odd little fig- ure , " " a girl , " " a stray waif . " But after ...
Página 23
... things are subtly marked by a certain femininity . In the very first sentence of the manuscript , Montgomery changes " jewelweed " to " ladies ' eardrops " ( see n . 2 , ch . 1 and Textual Note ) . Elizabeth Waterston com- ments that ...
... things are subtly marked by a certain femininity . In the very first sentence of the manuscript , Montgomery changes " jewelweed " to " ladies ' eardrops " ( see n . 2 , ch . 1 and Textual Note ) . Elizabeth Waterston com- ments that ...
Página 31
... things " ... were ought but the creations of our own fancy . But our minds were weak and our imaginations strong ... thing ; to show a girl in the process of such wild and forbid- den imagining seems to be another , more culturally ...
... things " ... were ought but the creations of our own fancy . But our minds were weak and our imaginations strong ... thing ; to show a girl in the process of such wild and forbid- den imagining seems to be another , more culturally ...
Página 46
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Lo sentimos, el contenido de esta página está restringido..
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Contenido
IV | 35 |
VI | 397 |
VII | 399 |
VIII | 415 |
IX | 418 |
XI | 422 |
XII | 430 |
XIII | 434 |
XXII | 467 |
XXIII | 470 |
XXIV | 471 |
XXV | 472 |
XXVI | 473 |
XXVII | 474 |
XXVIII | 475 |
XXIX | 477 |
XIV | 438 |
XV | 443 |
XVI | 452 |
XVII | 457 |
XVIII | 463 |
XIX | 464 |
XX | 465 |
XXI | 466 |
XXX | 480 |
XXXI | 481 |
XXXII | 483 |
XXXIII | 490 |
XXXIV | 493 |
XXXV | 495 |
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Términos y frases comunes
afternoon Allan Anne of Avonlea Anne of Green Anne Shirley Anne's Appendix asylum Avonlea Avonlea school beautiful brooch brook cake called Canadian Cavendish Charlottetown child comma Diana dream dress Ewan eyes feel felt flowers garden Gilbert Blythe glad Green Gables heart heroine hyphen imagination Jane Josie Pye knew L. M. Montgomery lady Lake of Shining laughed little girl live look Lucy Maud Montgomery Lynde says Lynde's Macneill Marilla Mary Matthew Cuthbert Miss Barry Miss Stacy morning mother never nice night Nova Scotia novel orchard orphan Phillips poem pretty Prince Edward Island Punctuation Queen raspberry cordial recite red hair restored Rilla of Ingleside Royal Reader Ruby Gillis seems story suppose sweet talk tell there's things thought tion told trees women word