Journal of the Rocky Mountain Medieval and Renaissance Association, Volumen15Rocky Mountain Medieval and Renaissance Association., 1994 |
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Página 68
... audience interprets the play as a communal experience , to make the competing singular " ones " into a paradoxical union of “ all one " that both is and is not , to trust the imaginative ocular proof of identical twins of different ...
... audience interprets the play as a communal experience , to make the competing singular " ones " into a paradoxical union of “ all one " that both is and is not , to trust the imaginative ocular proof of identical twins of different ...
Página 69
... audience and may be as narrow as Malvolio's proof , though the argu- ment also assumes that Shakespeare intended this split and left it up to us to choose which experience of the play we prefer . An act of read- ing by Malvolio helps to ...
... audience and may be as narrow as Malvolio's proof , though the argu- ment also assumes that Shakespeare intended this split and left it up to us to choose which experience of the play we prefer . An act of read- ing by Malvolio helps to ...
Página 105
... audience and the availability of texts to read . The significance of the hell mouth to the public audience would be seen as more than a visual link . It would serve as a reminder , a symbol that would instantly bring to mind a variety ...
... audience and the availability of texts to read . The significance of the hell mouth to the public audience would be seen as more than a visual link . It would serve as a reminder , a symbol that would instantly bring to mind a variety ...
Contenido
ARTICLES | 1 |
Guineveres Kidneys or The LancelotGrail | 17 |
The Medieval Lady | 35 |
Derechos de autor | |
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Albrecht Classen allegorical Antonio argue Arthur Assembly of Ladies audience becomes behavior Boethius Brigham Young University century chants chapter characters chivalry Chrétien de Troyes Columbus's Comedy complaints Consolation of Philosophy cosmological poem court Courtesy Literature critical culture Dante's desire discourse disguise divine dream vision dreamer Duclow English essays European example female Feste Feste's festive fiction final Floure fool Fortune's Gareth Gawain gender Grail healing hell mouth Hercules ignore interpreters Jews Kleiner Lady Philosophy Lancelot Lancelot-Grail last scene Leafe Lerer literary realism Literature Loiaulte male Malory Malvolio medieval Middle Ages Mordred narrator Navaho Symbols Navajo Newbold Revel offers Olivia Orsino Pearsall perhaps Perseveraunce perspective play play's poet present Princeton University Press problems proof prose Prose Lancelot Rabasa readers remarks Renaissance sand paintings Sandner scholars Sebastian seems Shakespeare singular social suggests tion tradition Twelfth Night Viola voice Vulgate Cycle woman women words