The Metres of English PoetryMethuen, 1951 - 340 páginas |
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Página 36
... Coleridge need not have looked far in his own poem to find that he is not right about the accents or stresses being always four in number . There are often three or five . But what each line has , in spite of its varying number of ...
... Coleridge need not have looked far in his own poem to find that he is not right about the accents or stresses being always four in number . There are often three or five . But what each line has , in spite of its varying number of ...
Página 129
... Coleridge's technique is rather more regular than Cowper's , though it gives an impression of greater freedom ... Coleridge : X Footless and wild , || like birds of Paradise 1 ။ Peopled with Death ; || or where more hideous Trade • The ...
... Coleridge's technique is rather more regular than Cowper's , though it gives an impression of greater freedom ... Coleridge : X Footless and wild , || like birds of Paradise 1 ။ Peopled with Death ; || or where more hideous Trade • The ...
Página 206
... Coleridge wrote a number of sonnets , mostly during the early part of his career , and if Bowles was his inspiration ... Coleridge's own , and in its power of striking out occasional splendid lines , as well as in the tone of those lines ...
... Coleridge wrote a number of sonnets , mostly during the early part of his career , and if Bowles was his inspiration ... Coleridge's own , and in its power of striking out occasional splendid lines , as well as in the tone of those lines ...
Contenido
CHAP | 1 |
THE FOURFOOT COUPLET | 24 |
BLANK VERSE FROM THE BEGINNINGS TO THE RESTORA | 61 |
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Términos y frases comunes
Alexandrine amphibrach anapaests ballad base beauty beginning blank verse break century characteristic Coleridge common dactyllic death disyllabic doth double ending double rhyme drama dream echo effect elegiac Elizabethan enclosed rhyme endstopped England's Helicon English eyes five-foot line four-foot couplet four-foot line give hath heart heroic couplet hexameter iamb iambic Keats King last line Latin light syllables Locksley Hall London loue lyric measure metre metrical metrists Milton modulation monosyllabic monosyllable movement narrative never night o'er occasional octave overflow paeon passage passion pause Petrarcan Petrarch phrases Poems Poetical poetry poets prose prosody pyrrhic quatrain rhyme-scheme rhythm rhythmic Rime Rossetti Sapphic scan scansion seems sestet Shakespeare short lines Songes and Sonettes sonnet sound speech Spenser spondee stress sweet Swinburne syllable technique Tennyson thee thou triplet trisyllabic feet trochaic trochee vowel words Wordsworth X X X