Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - 271 páginas |
Dentro del libro
Resultados 1-3 de 90
Página 37
... stage itself . Some of the groundlings who stood in the yard would be close enough to touch the stage , while those farthest away would not be more than about twenty - five feet from the front of the stage , and the back seats of the ...
... stage itself . Some of the groundlings who stood in the yard would be close enough to touch the stage , while those farthest away would not be more than about twenty - five feet from the front of the stage , and the back seats of the ...
Página 40
... stage provided much flexibility . Traps could be opened in the stage proper to allow action below the usual level , windlasses were available to drop actors to the stage from aloft , an enclosure could be operated to conceal or disclose ...
... stage provided much flexibility . Traps could be opened in the stage proper to allow action below the usual level , windlasses were available to drop actors to the stage from aloft , an enclosure could be operated to conceal or disclose ...
Página 45
... stage to the other without major alterations in the texts and stage practices . Neither stage could be concealed by the drop of a curtain or revealed by the raising of one , and so neither stage allowed a drama to begin with some sudden ...
... stage to the other without major alterations in the texts and stage practices . Neither stage could be concealed by the drop of a curtain or revealed by the raising of one , and so neither stage allowed a drama to begin with some sudden ...
Contenido
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Derechos de autor | |
Otras 14 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young