Practice of Speech, and Successful SelectionsWm. M. Wikoff, 1888 - 364 páginas |
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Página 95
... body to the right until the left side is toward line 5 , and allow the head to turn still farther to the right and bring the back of the head toward 5. Then reverse this move- ment to the left until the right side of the body and the ...
... body to the right until the left side is toward line 5 , and allow the head to turn still farther to the right and bring the back of the head toward 5. Then reverse this move- ment to the left until the right side of the body and the ...
Página 126
... Body can assert its like or dis- like - can express positive or negative ideas . THE FEET . In positive assertion , the weight is on the forward foot thus carrying the body forward , the body leans well forward , the knees bend perhaps ...
... Body can assert its like or dis- like - can express positive or negative ideas . THE FEET . In positive assertion , the weight is on the forward foot thus carrying the body forward , the body leans well forward , the knees bend perhaps ...
Página 130
... body firm . Practice vigorously several times . Now , you will observe its effect upon you results not so much from the position of body and limbs , as from the firmness of each part , the contraction of muscles . The audience will not ...
... body firm . Practice vigorously several times . Now , you will observe its effect upon you results not so much from the position of body and limbs , as from the firmness of each part , the contraction of muscles . The audience will not ...
Contenido
Movement Head Movement Forward or Backward | 101 |
The Lips The Nostrils | 114 |
Mind Conception Like and Dislike Positive or Negative | 128 |
Derechos de autor | |
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Términos y frases comunes
accent beauty blace bobolink body Bowser breath Burglar Bill Cæsar canna circumflex close Close Vowel Connor cupboard dead dear diaphragm earth exercises eyes face father feet firmly gesture girl give hand head hear heard heart heaven Helon hold ideas inflexion Julius Cæsar keep kiss Limburg cheese lips look Mester mind Morar mother move movement muscles mysen never Nevermore night Nora o'er the one-half one-half world pause pharynx phrase pitch poor position Practice prolong Quoth the raven Repeat right foot rise river Lee sentence Shandon shoulders shout sleep sorrow soul sound speak Spoopendyke sweet syllable tears teeth tell thee theer things thou thought throat tone tongue tonian train turned utterance Vake ventriloquism vocal voice waist firm wife words wrist