Practice of Speech, and Successful SelectionsWm. M. Wikoff, 1888 - 364 páginas |
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Página 49
... meanings . But do not at any time forget that your work is to express fully and clearly one meaning . The author of the phrase meant one thing , not innumerable things , and your judgmen must determine that one meaning and your voice ex ...
... meanings . But do not at any time forget that your work is to express fully and clearly one meaning . The author of the phrase meant one thing , not innumerable things , and your judgmen must determine that one meaning and your voice ex ...
Página 60
... meaning for your auditors , that satisfies their ever recurring questions - What is it ? Who ? How ? Where ? When ? Why ? Thus I say , " I came to the city . " The meaning is complete at " city , " and , of course , it has the emphasis ...
... meaning for your auditors , that satisfies their ever recurring questions - What is it ? Who ? How ? Where ? When ? Why ? Thus I say , " I came to the city . " The meaning is complete at " city , " and , of course , it has the emphasis ...
Página 88
... meaning , the longer the pauses . There is always a pause between ideas . Second . Any change of words from their natural order , demands a pause . This gives the auditors time to arrange the words in proper order . Try this sentence ...
... meaning , the longer the pauses . There is always a pause between ideas . Second . Any change of words from their natural order , demands a pause . This gives the auditors time to arrange the words in proper order . Try this sentence ...
Contenido
Movement Head Movement Forward or Backward | 101 |
The Lips The Nostrils | 114 |
Mind Conception Like and Dislike Positive or Negative | 128 |
Derechos de autor | |
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accent beauty blace bobolink body Bowser breath Burglar Bill Cæsar canna circumflex close Close Vowel Connor cupboard dead dear diaphragm earth exercises eyes face father feet firmly gesture girl give hand head hear heard heart heaven Helon hold ideas inflexion Julius Cæsar keep kiss Limburg cheese lips look Mester mind Morar mother move movement muscles mysen never Nevermore night Nora o'er the one-half one-half world pause pharynx phrase pitch poor position Practice prolong Quoth the raven Repeat right foot rise river Lee sentence Shandon shoulders shout sleep sorrow soul sound speak Spoopendyke sweet syllable tears teeth tell thee theer things thou thought throat tone tongue tonian train turned utterance Vake ventriloquism vocal voice waist firm wife words wrist