Shakespearean Illuminations: Essays in Honor of Marvin RosenbergUniversity of Delaware Press, 1998 - 371 páginas Topics in this collection include discussions of acting the "Big Four, " as well as studies on politics, language, and history. |
Dentro del libro
Resultados 1-3 de 33
Página 95
... textual inconsistencies have to be expected and accepted when serving the individual directorial vision of the play . It would be pedantic to take the strict position of textual puritans and to blame directors and translators for being ...
... textual inconsistencies have to be expected and accepted when serving the individual directorial vision of the play . It would be pedantic to take the strict position of textual puritans and to blame directors and translators for being ...
Página 160
... textual display and performative array . Competing textual and performative authorities have always been instrumental to Macbeth ; it is our perennial desire for " Shakespeare - as - culture " that has absorbed them under his name ...
... textual display and performative array . Competing textual and performative authorities have always been instrumental to Macbeth ; it is our perennial desire for " Shakespeare - as - culture " that has absorbed them under his name ...
Página 222
... textual prob- lems . There is , of course , no Quarto , let alone several . The only authoritative text is in the First Folio . This does contain what seem to be a few absurdities that most probably result from doubling at least one ...
... textual prob- lems . There is , of course , no Quarto , let alone several . The only authoritative text is in the First Folio . This does contain what seem to be a few absurdities that most probably result from doubling at least one ...
Contenido
Preface | 7 |
Criticism and the Construction | 13 |
Gertred Captive Queen of the First Quarto | 33 |
Derechos de autor | |
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Shakespearean Illuminations: Essays in Honor of Marvin Rosenberg Marvin Rosenberg Vista previa limitada - 1998 |
Términos y frases comunes
Abbess action actors actress Aeneas Anderson's Antony Antony and Cleopatra appears audience Banquo Barking body Brutus camera century character Claudius Cleopatra closet scene confession Corambis Cordelia criticism culture death Desdemona Dido director discourse drama Duchess Edgar edition Elizabethan Emilia English essay exit film final Folio Gernrode Gertrude Gertrude's Hamlet hand Henry Hippolyta Iago interpretation Juliet Julius Caesar King Lear kiss Lady Laertes Lear's liturgical drama London look Macbeth Macduff Malcolm Marlowe's Mary Magdalen means Midsummer Night's Dream Miss Bretherton modern murder onstage Ophelia Origny Othello performance play play's playwright Polanski political powre production Quarto Queen reading Renaissance role Roman Romanitas Rosenberg Ross script seems sense Sepulcher Shake Shakespeare singing speak speare speech stage direction Stephen Booth suggest textual theater theatrical thee Theseus tion tragedy tragic University Press Visitatio wife witches woman women words York