Journal of the Rocky Mountain Medieval and Renaissance Association, Volumen11Rocky Mountain Medieval and Renaissance Association., 1990 |
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Página 4
... fact , perhaps repeatedly so . In sum , the great surprise after examining the three passages above , followed by example after example of similarly patterned narrative descrip- tions , is the following : the kinds of episodes resulting ...
... fact , perhaps repeatedly so . In sum , the great surprise after examining the three passages above , followed by example after example of similarly patterned narrative descrip- tions , is the following : the kinds of episodes resulting ...
Página 5
Rocky Mountain Medieval and Renaissance Association. minimum of fantastic elements when , in fact , those regions were com- pletely foreign to the narrator and , as a matter of fact , to most Europeans ? How do we account , on the other ...
Rocky Mountain Medieval and Renaissance Association. minimum of fantastic elements when , in fact , those regions were com- pletely foreign to the narrator and , as a matter of fact , to most Europeans ? How do we account , on the other ...
Página 16
... fact that Marco Polo avoids repetition for stylistic reasons . Instead of describ- ing the second , or third , or eighth splendid palace or garden , he condenses by randomly applying high figures , such as " one hundred deer " or " a ...
... fact that Marco Polo avoids repetition for stylistic reasons . Instead of describ- ing the second , or third , or eighth splendid palace or garden , he condenses by randomly applying high figures , such as " one hundred deer " or " a ...
Contenido
Chaucers Sense of an Ending | 19 |
Exemplarity and the Interpretive Frame | 49 |
The Similar Complementarity of Othello | 101 |
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Términos y frases comunes
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