Journal of the Rocky Mountain Medieval and Renaissance Association, Volumen11Rocky Mountain Medieval and Renaissance Association., 1990 |
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Página 86
... later adapted by another no- table Netherlandish printmaker , Crispijn van de Passe , who illustrated the Metamorphoseon ... Ovidianarum ( Cologne , 1602 ) with 134 copper plates . Included among these engravings was the nearly ...
... later adapted by another no- table Netherlandish printmaker , Crispijn van de Passe , who illustrated the Metamorphoseon ... Ovidianarum ( Cologne , 1602 ) with 134 copper plates . Included among these engravings was the nearly ...
Página 93
... later : Orlando furioso di Lodovico Ariosto , tutto ricorretto et di nuove figure adornato ( Venice , 1562 ) . Although the subject " Roger and Ange- lica " was nearly nonexistent in sixteenth- and seventeenth - century painting , it ...
... later : Orlando furioso di Lodovico Ariosto , tutto ricorretto et di nuove figure adornato ( Venice , 1562 ) . Although the subject " Roger and Ange- lica " was nearly nonexistent in sixteenth- and seventeenth - century painting , it ...
Página 194
... later career . Here the emphasis falls on Jonson's concern with self - promotion , but Riggs points out that Jonson often undermined his own success through his tendency to court danger recklessly even in his later life when he was a ...
... later career . Here the emphasis falls on Jonson's concern with self - promotion , but Riggs points out that Jonson often undermined his own success through his tendency to court danger recklessly even in his later life when he was a ...
Contenido
Chaucers Sense of an Ending | 19 |
Exemplarity and the Interpretive Frame | 49 |
The Similar Complementarity of Othello | 101 |
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Términos y frases comunes
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