Journal of the Rocky Mountain Medieval and Renaissance Association, Volumen11Rocky Mountain Medieval and Renaissance Association., 1990 |
Dentro del libro
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Página 109
... opening scene . " 21 While " perfect " may be too strong an adjective for the affection conveyed by Iago's startling metaphor , the emblematic tableau reminds the playgoer of the Aristophanic motive of love – the intense desire of two ...
... opening scene . " 21 While " perfect " may be too strong an adjective for the affection conveyed by Iago's startling metaphor , the emblematic tableau reminds the playgoer of the Aristophanic motive of love – the intense desire of two ...
Página 176
... opening of chapter 3 , for in- stance , Cummins refers to the “ early ” Latin treatise De arte bersandi , attributed to a German knight , Guicenas . Following the note on page 274 , " See Bibliography , Guicenas , " one finds " De arte ...
... opening of chapter 3 , for in- stance , Cummins refers to the “ early ” Latin treatise De arte bersandi , attributed to a German knight , Guicenas . Following the note on page 274 , " See Bibliography , Guicenas , " one finds " De arte ...
Página 191
... opening chapter , " figures of Modernity , " by Yves Castan , sets an important theme of the volume , France in the seventeenth and eighteenth centuries . François Lebrun's chapter , " The Two Reformations , " essentially continues the ...
... opening chapter , " figures of Modernity , " by Yves Castan , sets an important theme of the volume , France in the seventeenth and eighteenth centuries . François Lebrun's chapter , " The Two Reformations , " essentially continues the ...
Contenido
Chaucers Sense of an Ending | 19 |
Exemplarity and the Interpretive Frame | 49 |
The Similar Complementarity of Othello | 101 |
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Términos y frases comunes
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