Though in some particulars Mrs. Hemaus may be inferior to some of the female poets of the nineteenth century,-to Joanna Baillie, for instance, in vigor of conception, to Caroline Bowles in simple pathos, to Mary Howitt in fresh nature, or to Mrs. Browning in deep, philosophic thought and profound learning,—yet, as a female writer, influencing not only her own sex but the general mind, from the pure and elevated sentiments as well as the exceeding beauty of her poetry, especially of her lyrical pieces, she is undoubtedly entitled to take very high rank among her contemporaries. Her great excellence has been acknowledged in our own country as well as in England. In her poetry, religious truth, moral purity, intellectual beauty, beautiful imagery, and melodious versification, all meet; and, while it addresses itself to the better feelings of our nature, it at the same time exalts the imagination and refines the taste. "Her forte," says a discriminating critic, "lay in depicting whatever tends to beautify and embellish domestic life, by purifying the passions and by sanctifying the affections; making man an undying and unquenchable spirit, and earth, his abode, a holy place." From the writings of one who has written so much and so well, it is difficult to know what to select and where to stop; but the following pieces will, it is believed, give a correct idea of her merits and her general style. HEBREW MOTHER. The rose was rich in bloom on Sharon's plain, Met her sweet serious glance, rejoiced to think To bathe his brow. At last the Fane was reach'd, Turn'd from the white-robed priest, and round her arm Clung as the ivy clings, the deep spring-tide 66 "Alas! my boy, thy gentle grasp is on me, And silver cords again to earth have won me; "How the lone paths retrace where thou wert playing And I, in joyous pride, By every place of flowers my course delaying "And, oh, the home whence thy bright smile hath parted, Will it not seem as if the sunny day Turn'd from its door away? While through its chambers wandering, weary-hearted, "Under the palm-trees thou no more shalt meet me, With the full water-urn; Nor will thy sleep's low dove-like breathings greet me, As midst the silence of the stars I wake, And watch for thy dear sake. "And thou, will slumber's dewy cloud fall round thee, Thine arms, when darkness as a vail hath wound thee, A cry which none shall hear? What have I said, my child?-Will He not hear thee, Who the young ravens heareth from their nest? Shall He not guard thy rest, And, in the hush of holy midnight near thee, "I give thee to thy God,-the God that gave thee, And precious as thou art, And pure as dew of Hermon, He shall have thee, . And thou shalt be His child. "Therefore, farewell!-I go, my soul may fail me, But thou, my first-born, droop not, nor bewail me; The Rock of Strength.-" Farewell!" THE STRANGER'S HEART. The stranger's heart! oh, wound it not! In the green shadow of thy tree, Thou think'st the vine's low rustling leaves Thou think'st thy children's laughing play Then are the stranger's thoughts oppress'd,- Thou think'st it sweet, when friend with friend Thy hearth, thy home, thy vintage land,- THE HOUR OF DEATH. Leaves have their time to fall, And flowers to wither at the north-wind's breath, Thou hast all seasons for thine own, O Death! Day is for mortal care, Eve for glad meetings round the joyous hearth, Night for the dreams of sleep, the voice of prayer,— But all for thee, thou Mightiest of the earth. The banquet hath its hour, Its feverish hour of mirth, and song, and wine; There comes a day for grief's o'erwhelming power, A time for softer tears,-but all are thine. Youth and the opening rose May look like things too glorious for decay, And smile at thee,-but thou art not of those That wait the ripen'd bloom to seize their prey. Leaves have their time to fall, And flowers to wither at the north-wind's breath, Thou hast all seasons for thine own, O Death! We know when moons shall wane, When summer-birds from far shall cross the sea, When autumn's hue shall tinge the golden grain, But who shall teach us when to look for thee? Is it when Spring's first gale Comes forth to whisper where the violets lie? Thou art where billows foam, Thou art where music melts upon the air; Thou art around us in our peaceful home; Beneath the shadow of the elm to rest, Thou art where foe meets foe, and trumpets rend And flowers to wither at the north-wind's breath, Thou hast all seasons for thine own, O Death! THE HOUR OF PRAYER. Child, amid the flowers at play, Traveller, in the stranger's land, Captive, in whose narrow cell Warrior, that from battle won, BRING FLOWERS. Bring flowers, young flowers, for the festal board, And the touch of the sunbeam hath waked the rose, Bring flowers to the captive's lonely cell,- And the dream of his youth,-bring him flowers, wild flowers. Bring flowers for the locks of the fair young bride! Bring flowers, pale flowers, o'er the bier to shed, For this through its leaves hath the white rose burst, Though they smile in vain for what once was ours, Bring flowers to the shrine where we kneel in prayer,— They break forth in glory,-bring flowers, bright flowers! EVENING PRAYER AT A GIRLS" SCHOOL. Now, in thy youth, beseech of Him That his light in thy heart become not dim, And thy God, in the darkest of days, will be Hush! 'tis a holy hour,-the quiet room Seems like a temple, while yon soft lamp sheds And the sweet stillness down on fair young heads, Gaze on,-'tis lovely!-childhood's lip and cheek, O joyous creatures! that will sink to rest Lightly, when those pure orisons are done, As birds with slumber's honey-dew opprest, Midst the dim folded leaves, at set of sun,Lift up your hearts! though yet no sorrow lies Dark in the summer-heaven of those clear eyes. Though fresh within your breast the untroubled springs And o'er your sleep bright shadows, from the wings Her lot is on you,-silent tears to weep, And patient smiles to wear through suffering's hour, To pour on broken reeds,-a wasted shower! |