ON A DISTANT VIEW OF THE VILLAGE AND SCHOOL OF HARROW ON THE HILL. Oh! mihi præteritos referat si Jupiter annos. — VIRGIL. YE scenes of my childhood, whose loved recollection Embitters the present, compared with the past; Where science first dawn'd on the powers of reflection, And friendships were form'd, too romantic to last (1); Where fancy yet joys to retrace the resemblance Of comrades, in friendship and mischief allied; How welcome to me your ne'er fading remembrance, Which rests in the bosom, though hope is denied! Again I revisit the hills where we sported, The streams where we swam, and the fields where we fought (2); The school where, loud warn'd by the bell, we resorted, To pore o'er the precepts by pedagogues taught. Again I behold where for hours I have ponder'd, As reclining, at eve, on yon tombstone (3) I lay; Or round the steep brow of the churchyard I wander'd, To catch the last gleam of the sun's setting ray. (1)" My school-friendships were with me passions (for I was always violent), but I do not know that there is one which has endured (to be sure some have been cut short by death) till now."— Diary, 1821. (2) "At Harrow I fought my way very fairly. I think I lost but one battle out of seven."- Ibid. (3) They show a tomb in the churchyard at Harrow, commanding a view over Windsor, which was so well known to be his favourite restingplace, that the boys called it " Byron's Tomb;" and here, they say, he used to sit for hours, wrapt up in thought.-E. I once more view the room, with spectators surrounded, Where, as Zanga (1), I trod on Alonzo o'erthrown; While, to swell my young pride, such applauses resounded, I fancied that Mossop (2) himself was outshone: Or, as Lear, I pour'd forth the deep imprecation, Ye dreams of my boyhood, how much I regret you! To Ida full oft may remembrance restore me, (4) While fate shall the shades of the future unroll! (1) For the display of his declamatory powers, on the speech-days, he selected always the most vehement passages; such as the speech of Zanga over the body of Alonzo, and Lear's address to the storm.-E. (2) Mossop, a cotemporary of Garrick, famous for his performance of Zanga. (3) "My grand patron, Dr. Drury, had a great notion that I should turn out an orator, from my fluency, my turbulence, my voice, my copiousness of declamation, and my action."- - Diary. (4) In the private volume the two last stanzas ran — "I thought this poor brain, fever'd even to madness, But the drops which now flow down this bosom of sadness, "Sweet scenes of my childhood! your blest recollection Since darkness o'ershadows the prospect before me, More dear is the beam of the past to my soul. But if, through the course of the years which await me, Some new scene of pleasure should open to view, I will say, while with rapture the thought shall elate me, "Oh! such were the days which my infancy knew." 1806. TO M OH! did those eyes, instead of fire, For thou art form'd so heavenly fair, When Nature stamp'd thy beauteous birth, She fear'd that, too divine for earth, The skies might claim thee for their own: Therefore, to guard her dearest work, These might the boldest sylph appal, But who can dare thine ardent gaze? 'Tis said that Berenice's hair In stars adorns the vault of heaven; For did those eyes as planets roll, Thy sister-lights would scarce appear: E'en suns, which systems now control, Would twinkle dimly through their sphere. (1) 1806. TO WOMAN. WOMAN! experience might have told me But, placed in all thy charms before me, Oh memory! thou choicest blessing When join'd with hope, when still possessing; (1) "Two of the fairest stars in all the heaven, SHAKSP. Woman, that fair and fond deceiver, "Woman, thy vows are traced in sand.” (1) TO M. S. G. WHEN I dream that you love me, you'll surely forgive; Extend not your anger to sleep; For in visions alone your affection can live,— I rise, and it leaves me to weep. Then, Morpheus! envelope my faculties fast, Shed o'er me your languor benign ; Should the dream of to-night but resemble the last, What rapture celestial is mine! They tell us that slumber, the sister of death, Mortality's emblem is given; To fate how I long to resign my frail breath, If this be a foretaste of heaven! (1) The last line is almost a literal translation from a Spanish proverb. |