For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 16
Seite 43
... Ching . But before the I Ching , I worked with the magic square . D.C .: How did you use it ? J.C .: Instead of numbers , I put sounds , groups of sounds , in the square . That's how I wrote Sixteen Dances , as well as the Concerto for ...
... Ching . But before the I Ching , I worked with the magic square . D.C .: How did you use it ? J.C .: Instead of numbers , I put sounds , groups of sounds , in the square . That's how I wrote Sixteen Dances , as well as the Concerto for ...
Seite 94
... Ching ? J.C .: I do accept , I have always accepted everything the I Ching has revealed to me . D.C .: Why ? J.C .: I never thought of not accepting it ! That is precisely the first thing the I Ching teaches us : acceptance . It ...
... Ching ? J.C .: I do accept , I have always accepted everything the I Ching has revealed to me . D.C .: Why ? J.C .: I never thought of not accepting it ! That is precisely the first thing the I Ching teaches us : acceptance . It ...
Seite 214
... Ching go ? J.C .: I mentioned to Stent what the genetic tables in his book made me think of . But I'm not at all an ... Ching . ' This person , who lived near Berkeley , used his interest in the I Ching in the same way that Critchlow had ...
... Ching go ? J.C .: I mentioned to Stent what the genetic tables in his book made me think of . But I'm not at all an ... Ching . ' This person , who lived near Berkeley , used his interest in the I Ching in the same way that Critchlow had ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able accept according activities already appear asked audience become began begin believe better Certainly chance Ching close comes completely composer concert consider continue course critics David Tudor devotion don't electronic emotions entire everything example exist experience fact feel footnote of 1972 give happens idea important included interested it's John Cage less listen live longer mean mentioned Merce mind musicians nature never noises object once operations orchestra organization particular performance perhaps person piano piece play possible prefer present problem produce question recent recording relationship remain result score seems sense separate silence situation sometimes Song Books sounds space structure talk tapes That's theater things Thoreau thought University utilities Variations writing