For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 52
... Musicircus , you have the right to bring together all kinds of music which are ordinarily separated . We're no longer worried about what there is to be heard , so to speak . It's no longer a question of aesthetics . D.C .: Since you're ...
... Musicircus , you have the right to bring together all kinds of music which are ordinarily separated . We're no longer worried about what there is to be heard , so to speak . It's no longer a question of aesthetics . D.C .: Since you're ...
Seite 196
... Musicircus stood out because of its simplicity . J.C .: From the point of view of the spectators ' mobility , the two events aren't comparable . In Paris , you couldn't move . But I especially noticed a rather disagreeable difference ...
... Musicircus stood out because of its simplicity . J.C .: From the point of view of the spectators ' mobility , the two events aren't comparable . In Paris , you couldn't move . But I especially noticed a rather disagreeable difference ...
Seite 197
... Musicircus we each wore a little likeness of John Cage pinned to our lapel ! J.C .: The problem at the Musicircus was having about thirty groups perform on seven different stages . It was a scheduling problem . Or you could say it was ...
... Musicircus we each wore a little likeness of John Cage pinned to our lapel ! J.C .: The problem at the Musicircus was having about thirty groups perform on seven different stages . It was a scheduling problem . Or you could say it was ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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