For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 135
... that's the case . So from the outset I had envisioned the possibility of combining those works . But you see , once I had suggested that each of these scores could on ... That's not all that Christian Wolff is trying 135 FOURTH INTERVIEW.
... that's the case . So from the outset I had envisioned the possibility of combining those works . But you see , once I had suggested that each of these scores could on ... That's not all that Christian Wolff is trying 135 FOURTH INTERVIEW.
Seite 210
... that it's essentially silent because I believe that it allows the silence of a game of chess to appear for what it really is : a silence full of noises . D.C .: It can't appear exactly as it is , since it's amplified . J.C .: That's how ...
... that it's essentially silent because I believe that it allows the silence of a game of chess to appear for what it really is : a silence full of noises . D.C .: It can't appear exactly as it is , since it's amplified . J.C .: That's how ...
Seite 228
John Cage, Daniel Charles. - J.C .: All that means is that it's impossible to naively believe in Zen in the middle of the twentieth century , as if nothing had changed ! But Zen perhaps has more depth than that that's also what I meant ...
John Cage, Daniel Charles. - J.C .: All that means is that it's impossible to naively believe in Zen in the middle of the twentieth century , as if nothing had changed ! But Zen perhaps has more depth than that that's also what I meant ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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