For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 19
Seite 119
... audience would not be seated in rows of theater seats . D.C .: What does she think about all that ? J.C .: Well , first of all she insists on the fact that the audience must be seated and remain where they are , without leaving their ...
... audience would not be seated in rows of theater seats . D.C .: What does she think about all that ? J.C .: Well , first of all she insists on the fact that the audience must be seated and remain where they are , without leaving their ...
Seite 169
... audience entered the hall , they found no seats to sit on . There were only tables , around the room , with piles of records , and loudspeakers distributed throughout the space . It very quickly became obvious to each member of the audi ...
... audience entered the hall , they found no seats to sit on . There were only tables , around the room , with piles of records , and loudspeakers distributed throughout the space . It very quickly became obvious to each member of the audi ...
Seite 235
... audience ? Any Marxist critic could reproach you with your ina- bility to thrill the masses . Your concerts interest only a petit - bourgeois fraction of intellectuals or students . Blue collar workers , shop keepers , farmers , and ...
... audience ? Any Marxist critic could reproach you with your ina- bility to thrill the masses . Your concerts interest only a petit - bourgeois fraction of intellectuals or students . Blue collar workers , shop keepers , farmers , and ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able accept according activities already appear asked audience become began begin believe better Certainly chance Ching close comes completely composer concert consider continue course critics David Tudor devotion don't electronic emotions entire everything example exist experience fact feel footnote of 1972 give happens idea important included interested it's John Cage less listen live longer mean mentioned Merce mind musicians nature never noises object once operations orchestra organization particular performance perhaps person piano piece play possible prefer present problem produce question recent recording relationship remain result score seems sense separate silence situation sometimes Song Books sounds space structure talk tapes That's theater things Thoreau thought University utilities Variations writing