For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 127
... become the performer . D.C .: What does the composer become ? J.C .: He becomes a member of the audience . He starts to listen . D.C .: Sounds exist before the composer , and they even lead him ; but the composer is none other than the ...
... become the performer . D.C .: What does the composer become ? J.C .: He becomes a member of the audience . He starts to listen . D.C .: Sounds exist before the composer , and they even lead him ; but the composer is none other than the ...
Seite 229
... become mesmerized by the differ- ence and that there is no ultimate term . Thus , no system . D.C .: So , in the end ... becoming , and that it always becomes something , and that this is not necessary , because that some- thing already ...
... become mesmerized by the differ- ence and that there is no ultimate term . Thus , no system . D.C .: So , in the end ... becoming , and that it always becomes something , and that this is not necessary , because that some- thing already ...
Seite 234
... become simplified or shorter . The longest words , I would be tempted to say , contain something of Thoreau in them . But not the shortest words . They are words from common language , everyday words . ' So , as the words become shorter ...
... become simplified or shorter . The longest words , I would be tempted to say , contain something of Thoreau in them . But not the shortest words . They are words from common language , everyday words . ' So , as the words become shorter ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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