For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 54
... began talking and walking around . Did that destroy what you had wanted to do ? J.C .: Oh , no ! It didn't destroy anything ! It produced something else . For me , the phenomenon was fairly comparable to what I have sometimes seen in ...
... began talking and walking around . Did that destroy what you had wanted to do ? J.C .: Oh , no ! It didn't destroy anything ! It produced something else . For me , the phenomenon was fairly comparable to what I have sometimes seen in ...
Seite 73
... began to work with percussion . Only then did I begin to make structures . But structure then became rhythmic ; it was no longer a tonal structure in Schoenberg's sense . D.C .: But was rhythmic structure enough to make up for a lack of ...
... began to work with percussion . Only then did I begin to make structures . But structure then became rhythmic ; it was no longer a tonal structure in Schoenberg's sense . D.C .: But was rhythmic structure enough to make up for a lack of ...
Seite 235
... began to wonder if one day they wouldn't have to take me seriously . After 1958 , that changed . Now , I've drawn at least 5,000 for the Musicircus in Illinois , and surely more for HPSCHD . Some estimates put the audience at over 9,000 ...
... began to wonder if one day they wouldn't have to take me seriously . After 1958 , that changed . Now , I've drawn at least 5,000 for the Musicircus in Illinois , and surely more for HPSCHD . Some estimates put the audience at over 9,000 ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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