For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 113
... close enough to them to understand their pos- sibilities . Thoreau could quite easily tolerate the existence of railroads , and even very close to where he lived . But he knew how to rig his boat and make sails for it . He worked ...
... close enough to them to understand their pos- sibilities . Thoreau could quite easily tolerate the existence of railroads , and even very close to where he lived . But he knew how to rig his boat and make sails for it . He worked ...
Seite 157
... close to your ideas and who work in the same direction as you do . For example , Rauschenberg . J.C .: It was marvelous when I first met Rauschenberg . Almost immedi- ately , I had the feeling that it was hardly necessary for us to talk ...
... close to your ideas and who work in the same direction as you do . For example , Rauschenberg . J.C .: It was marvelous when I first met Rauschenberg . Almost immedi- ately , I had the feeling that it was hardly necessary for us to talk ...
Seite 212
... effect , which the audience undoubtedly perceived , was surprisingly close to what I hope to achieve in the Thunderclaps . ( John Cage : footnote of 1972. ) J.C .: When I was writing the preface to A 212 FOR THE BIRDS.
... effect , which the audience undoubtedly perceived , was surprisingly close to what I hope to achieve in the Thunderclaps . ( John Cage : footnote of 1972. ) J.C .: When I was writing the preface to A 212 FOR THE BIRDS.
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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able accept according activities already appear asked audience become began begin believe better Certainly chance Ching close comes completely composer concert consider continue course critics David Tudor devotion don't electronic emotions entire everything example exist experience fact feel footnote of 1972 give happens idea important included interested it's John Cage less listen live longer mean mentioned Merce mind musicians nature never noises object once operations orchestra organization particular performance perhaps person piano piece play possible prefer present problem produce question recent recording relationship remain result score seems sense separate silence situation sometimes Song Books sounds space structure talk tapes That's theater things Thoreau thought University utilities Variations writing