For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 18
Seite 59
... come off less successfully . J.C .: But my answer is still the same . I find that the sound , the sonorous level , is much ... comes from the writing , is absolutely different from the fact that I was able to write it . For there to be a ...
... come off less successfully . J.C .: But my answer is still the same . I find that the sound , the sonorous level , is much ... comes from the writing , is absolutely different from the fact that I was able to write it . For there to be a ...
Seite 199
... comes at once - there is temporal simultaneity . That's what Suzuki calls non - dualism - but we have already talked about that . D.C .: So , you would criticize Stockhausen's music in much the same way you criticize Boulez's . Since it ...
... comes at once - there is temporal simultaneity . That's what Suzuki calls non - dualism - but we have already talked about that . D.C .: So , you would criticize Stockhausen's music in much the same way you criticize Boulez's . Since it ...
Seite 234
... comes into it . And there is no artifice in this effort . D.C .: In your Interview with Roger Reynolds , you do appeal to subjectiv- ity . Robert Ashley had just concluded , from what you had said previ- ously , that time , temporal ...
... comes into it . And there is no artifice in this effort . D.C .: In your Interview with Roger Reynolds , you do appeal to subjectiv- ity . Robert Ashley had just concluded , from what you had said previ- ously , that time , temporal ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff words writing Xenakis