For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 18
Seite 59
... come off less successfully . J.C .: But my answer is still the same . I find that the sound , the sonorous level , is much ... comes from the writing , is absolutely different from the fact that I was able to write it . For there to be a ...
... come off less successfully . J.C .: But my answer is still the same . I find that the sound , the sonorous level , is much ... comes from the writing , is absolutely different from the fact that I was able to write it . For there to be a ...
Seite 199
... comes at once - there is temporal simultaneity . That's what Suzuki calls non - dualism - but we have already talked about that . D.C .: So , you would criticize Stockhausen's music in much the same way you criticize Boulez's . Since it ...
... comes at once - there is temporal simultaneity . That's what Suzuki calls non - dualism - but we have already talked about that . D.C .: So , you would criticize Stockhausen's music in much the same way you criticize Boulez's . Since it ...
Seite 234
... comes into it . And there is no artifice in this effort . D.C .: In your Interview with Roger Reynolds , you do appeal to subjectiv- ity . Robert Ashley had just concluded , from what you had said previ- ously , that time , temporal ...
... comes into it . And there is no artifice in this effort . D.C .: In your Interview with Roger Reynolds , you do appeal to subjectiv- ity . Robert Ashley had just concluded , from what you had said previ- ously , that time , temporal ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able accept according activities already appear asked audience become began begin believe better Certainly chance Ching close comes completely composer concert consider continue course critics David Tudor devotion don't electronic emotions entire everything example exist experience fact feel footnote of 1972 give happens idea important included interested it's John Cage less listen live longer mean mentioned Merce mind musicians nature never noises object once operations orchestra organization particular performance perhaps person piano piece play possible prefer present problem produce question recent recording relationship remain result score seems sense separate silence situation sometimes Song Books sounds space structure talk tapes That's theater things Thoreau thought University utilities Variations writing