For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 51
... completely different musical work be juxtaposed with a given ballet . J.C .: Yes , if possible , without any connection . D.C .: Moreover , your ' indeterminate ' works were supposed to take space into consideration . J.C .: It was a ...
... completely different musical work be juxtaposed with a given ballet . J.C .: Yes , if possible , without any connection . D.C .: Moreover , your ' indeterminate ' works were supposed to take space into consideration . J.C .: It was a ...
Seite 126
... completely different form of performance or composition : live electronic music . J.C .: Yes , he is presently working with circuits controlling video and audio effects , with feed - back between the two . D.C .: Which forces him to ...
... completely different form of performance or composition : live electronic music . J.C .: Yes , he is presently working with circuits controlling video and audio effects , with feed - back between the two . D.C .: Which forces him to ...
Seite 195
... completely free to move around amidst all that abundance of films and slides . They could sit down , or walk around . About 6000 people came , but the hall could have held fifteen to twenty thousand . Consequently , everyone always ...
... completely free to move around amidst all that abundance of films and slides . They could sit down , or walk around . About 6000 people came , but the hall could have held fifteen to twenty thousand . Consequently , everyone always ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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