For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 127
... composer . J.C .: Yes , and the audience can become the performer . D.C .: What does the composer become ? J.C .: He becomes a member of the audience . He starts to listen . D.C .: Sounds exist before the composer , and they even lead ...
... composer . J.C .: Yes , and the audience can become the performer . D.C .: What does the composer become ? J.C .: He becomes a member of the audience . He starts to listen . D.C .: Sounds exist before the composer , and they even lead ...
Seite 168
... composer . And the word Reunion signified that the composers , who had always been separated , could now come together and make music in common . The first performance took place in Toronto in 1968. David Behrman , David Tudor , and ...
... composer . And the word Reunion signified that the composers , who had always been separated , could now come together and make music in common . The first performance took place in Toronto in 1968. David Behrman , David Tudor , and ...
Seite 197
... composer makes the whole flexible by increasing the rigor of each detail . In Stockhausen's piece XI , the pianist must execute very detailed little groups , but in a global ordering that remains entirely up to him . Yet , despite my ...
... composer makes the whole flexible by increasing the rigor of each detail . In Stockhausen's piece XI , the pianist must execute very detailed little groups , but in a global ordering that remains entirely up to him . Yet , despite my ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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