For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 37
Seite 51
... concert . D.C .: These two pieces were commissioned of you as a single work ? J.C .: Yes , and I used the same ... concert , we decided to separate the two pianos very conspicu- ously . I must point out that this evening , in the ...
... concert . D.C .: These two pieces were commissioned of you as a single work ? J.C .: Yes , and I used the same ... concert , we decided to separate the two pianos very conspicu- ously . I must point out that this evening , in the ...
Seite 54
... Concert for Piano and Orchestra . But the audience began talking and walking around . Did that destroy what you had ... Concert on Monday , October 26 , 1970 , at 8.30 pm in the Théâtre de la Ville in Paris , which included the ...
... Concert for Piano and Orchestra . But the audience began talking and walking around . Did that destroy what you had ... Concert on Monday , October 26 , 1970 , at 8.30 pm in the Théâtre de la Ville in Paris , which included the ...
Seite 109
... ( Concert for Piano and Orchestra ) anticipated revolution . But doesn't the revolution seek to kill the orchestra conductor who directs the world - that is , capitalism ? J.C .: Unfortunately for that analysis , I believe that the role ...
... ( Concert for Piano and Orchestra ) anticipated revolution . But doesn't the revolution seek to kill the orchestra conductor who directs the world - that is , capitalism ? J.C .: Unfortunately for that analysis , I believe that the role ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able accept according activities already appear asked audience become began begin believe better Certainly chance Ching close comes completely composer concert consider continue course critics David Tudor devotion don't electronic emotions entire everything example exist experience fact feel footnote of 1972 give happens idea important included interested it's John Cage less listen live longer mean mentioned Merce mind musicians nature never noises object once operations orchestra organization particular performance perhaps person piano piece play possible prefer present problem produce question recent recording relationship remain result score seems sense separate silence situation sometimes Song Books sounds space structure talk tapes That's theater things Thoreau thought University utilities Variations writing