For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 135
... course of our tours , we performed Cartridge Music directly by super- imposing the four ' voices ' of the recording onto the live version . D.C .: Then your superimpositions don't relate to a single principle , not the stratifications ...
... course of our tours , we performed Cartridge Music directly by super- imposing the four ' voices ' of the recording onto the live version . D.C .: Then your superimpositions don't relate to a single principle , not the stratifications ...
Seite 157
... course – among the dancers . - - J.C .: I liked the idea of introducing cars into a mountain landscape . They had a lot of trouble making it work in Baux ; if you recall , the access road to the theater , or to what served as a theater ...
... course – among the dancers . - - J.C .: I liked the idea of introducing cars into a mountain landscape . They had a lot of trouble making it work in Baux ; if you recall , the access road to the theater , or to what served as a theater ...
Seite 217
... course , when I had too little of it - really not enough . When I went to New York , around 1943 , I didn't have a cent . I was completely broke . Of course , that didn't last . But I lived like that with an extraordinary feeling of ...
... course , when I had too little of it - really not enough . When I went to New York , around 1943 , I didn't have a cent . I was completely broke . Of course , that didn't last . But I lived like that with an extraordinary feeling of ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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