For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 56
... emotions . Why ? J.C .: Emotions , like all tastes and memory , are too closely linked to the self , to the ego . The emotions show that we are touched within ourselves , and tastes evidence our way of being touched on the outside . We ...
... emotions . Why ? J.C .: Emotions , like all tastes and memory , are too closely linked to the self , to the ego . The emotions show that we are touched within ourselves , and tastes evidence our way of being touched on the outside . We ...
Seite 57
... emotions ? J.C .: I see that you're still on the level of object , while I am talking about process ! QUESTION : But I certainly have a right to my emotions ! J.C .: You need this , you need that . That's your whole attitude ! Let's not ...
... emotions ? J.C .: I see that you're still on the level of object , while I am talking about process ! QUESTION : But I certainly have a right to my emotions ! J.C .: You need this , you need that . That's your whole attitude ! Let's not ...
Seite 103
... emotions : the attvabhava . There are also thirty - three transitory modes of emotion , which derive from pleasure and suffering . But all that is nothing com- pared to the nine permanent emotions . They are permanent , that is , they ...
... emotions : the attvabhava . There are also thirty - three transitory modes of emotion , which derive from pleasure and suffering . But all that is nothing com- pared to the nine permanent emotions . They are permanent , that is , they ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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