For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 48
... experience of life is different for each one of us . But we seek to make each one feel , in his own way , his own experience . D.C .: You reject the idea of a constructed duration . Why , in that case , did you insist on having Satie's ...
... experience of life is different for each one of us . But we seek to make each one feel , in his own way , his own experience . D.C .: You reject the idea of a constructed duration . Why , in that case , did you insist on having Satie's ...
Seite 80
... experience goes from an object to its double . In contemporary civilization where everything is standardized and where everything is repeated , the whole point is to forget in the space between an object and its duplication . If we didn ...
... experience goes from an object to its double . In contemporary civilization where everything is standardized and where everything is repeated , the whole point is to forget in the space between an object and its duplication . If we didn ...
Seite 229
... experience ? While those from A Year From Monday are progressive because they concern society ? If I were to assume ... experience to a consideration of social experience was not so much the social nature of music as 229 TENTH INTERVIEW.
... experience ? While those from A Year From Monday are progressive because they concern society ? If I were to assume ... experience to a consideration of social experience was not so much the social nature of music as 229 TENTH INTERVIEW.
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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