For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 146
... feel an emotion . D.C .: Even though you know that the work no longer provides a pretext for that feeling ? J.C .: In my more recent music , my intention was to avoid forcing anyone to feel in any particular way any more . Feelings are ...
... feel an emotion . D.C .: Even though you know that the work no longer provides a pretext for that feeling ? J.C .: In my more recent music , my intention was to avoid forcing anyone to feel in any particular way any more . Feelings are ...
Seite 177
... feel it applies to your work in general ? Aren't you subverting your own practice of indeterminacy when , in Cheap Imitation for example , you return to a more traditional mode of composi- tion ? J.C .: Cheap Imitation really stands in ...
... feel it applies to your work in general ? Aren't you subverting your own practice of indeterminacy when , in Cheap Imitation for example , you return to a more traditional mode of composi- tion ? J.C .: Cheap Imitation really stands in ...
Seite 182
... feel that in Europe , you have always tended to take shelter under your cultural umbrella . People don't like cultural fallout- they believe true cultural purity is possible . That's probably an illusion . ] D.C .: ' Purity ' equals ...
... feel that in Europe , you have always tended to take shelter under your cultural umbrella . People don't like cultural fallout- they believe true cultural purity is possible . That's probably an illusion . ] D.C .: ' Purity ' equals ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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