For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 9
Seite 193
... film . D.C .: Many of your scores allow for cinematographic or visual effects . But you haven't composed much for film ... Didn't the score you did for the film on Calder's mobiles win a prize ? J.C .: Yes , in 1951 , at the Woodstock Film ...
... film . D.C .: Many of your scores allow for cinematographic or visual effects . But you haven't composed much for film ... Didn't the score you did for the film on Calder's mobiles win a prize ? J.C .: Yes , in 1951 , at the Woodstock Film ...
Seite 194
... film - my last attempt in that field - I used a combination of two approaches : using environmental sounds ' musically ' ; and composing a specific piece appropriate to the subject of the film . At certain critical points of the ...
... film - my last attempt in that field - I used a combination of two approaches : using environmental sounds ' musically ' ; and composing a specific piece appropriate to the subject of the film . At certain critical points of the ...
Seite 195
... film projectors , we had eighty slide projectors with about 8000 slides . Many of the slides also dealt with space ... films and slides . They could sit down , or walk around . About 6000 people came , but the hall could have held ...
... film projectors , we had eighty slide projectors with about 8000 slides . Many of the slides also dealt with space ... films and slides . They could sit down , or walk around . About 6000 people came , but the hall could have held ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff words writing Xenakis