For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 19
Seite 75
... interested in Oriental thought and in the myths you mentioned . D.C .: But weren't there Javanese or Balinese or even African influences in your writing for percussion ? Were you acquainted with any music from the oral tradition ? J.C ...
... interested in Oriental thought and in the myths you mentioned . D.C .: But weren't there Javanese or Balinese or even African influences in your writing for percussion ? Were you acquainted with any music from the oral tradition ? J.C ...
Seite 108
... interested , but I have not found a single one.1 D.C .: Could you describe the main points of Buckminster Fuller's solu- tion ? J.C .: It consists of examining our relationship with the technical world and in seeing to it that this ...
... interested , but I have not found a single one.1 D.C .: Could you describe the main points of Buckminster Fuller's solu- tion ? J.C .: It consists of examining our relationship with the technical world and in seeing to it that this ...
Seite 186
... interested in my work yet . That left time for me to discover the mushrooms . D.C .: Do you answer every letter and phone call ? J.C .: I accept everything that comes . I force myself to remain faithful to my idea of the fluidity of all ...
... interested in my work yet . That left time for me to discover the mushrooms . D.C .: Do you answer every letter and phone call ? J.C .: I accept everything that comes . I force myself to remain faithful to my idea of the fluidity of all ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able accept according activities already appear asked audience become began begin believe better Certainly chance Ching close comes completely composer concert consider continue course critics David Tudor devotion don't electronic emotions entire everything example exist experience fact feel footnote of 1972 give happens idea important included interested it's John Cage less listen live longer mean mentioned Merce mind musicians nature never noises object once operations orchestra organization particular performance perhaps person piano piece play possible prefer present problem produce question recent recording relationship remain result score seems sense separate silence situation sometimes Song Books sounds space structure talk tapes That's theater things Thoreau thought University utilities Variations writing