For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 37
... it's music without structure ! ( Laughter . ) In that work I had divided the row into static cells . They can be heard , tatata , tatata , tatata ... And I used a series as the basis of the work so as to know from which note I could ...
... it's music without structure ! ( Laughter . ) In that work I had divided the row into static cells . They can be heard , tatata , tatata , tatata ... And I used a series as the basis of the work so as to know from which note I could ...
Seite 117
... its typogra- phy ; it's much more varied . J.C .: It's a way of presenting my ideas , which , partly under McLuhan's influence , have dealt more and more with the media . D.C .: People have sometimes objected to the ' mosaic ' nature of ...
... its typogra- phy ; it's much more varied . J.C .: It's a way of presenting my ideas , which , partly under McLuhan's influence , have dealt more and more with the media . D.C .: People have sometimes objected to the ' mosaic ' nature of ...
Seite 236
... It's a part of the revolution , yet we don't perceive it . Instead we think it's a ruse of the bankers to make us spend more . What's surprising is that this ruse , if in fact it is a ruse , has succeeded so well in surpassing it's ...
... It's a part of the revolution , yet we don't perceive it . Instead we think it's a ruse of the bankers to make us spend more . What's surprising is that this ruse , if in fact it is a ruse , has succeeded so well in surpassing it's ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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