For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 53
... mean by ' utilities ' ? The bath - tub , the telephone ? J.C .: Yes , and first of all , water , air , food , cl ... you know perfectly well what I mean ! ( Laughter . ) D.C .: That is a way of letting order rule ! J.C .: Not at all ...
... mean by ' utilities ' ? The bath - tub , the telephone ? J.C .: Yes , and first of all , water , air , food , cl ... you know perfectly well what I mean ! ( Laughter . ) D.C .: That is a way of letting order rule ! J.C .: Not at all ...
Seite 96
... mean that there is no place for fighting against noise pollution . But that also doesn't imply the negative aesthetic criterion which the refusal of noises as such would be . Indeed , on the contrary , I believe I am able to draw from ...
... mean that there is no place for fighting against noise pollution . But that also doesn't imply the negative aesthetic criterion which the refusal of noises as such would be . Indeed , on the contrary , I believe I am able to draw from ...
Seite 205
... mean money . ( John Cage : footnote of 1972. ) " By ' politics , ' here I mean power . ( John Cage : footnote of 1972. ) NINTH INTERVIEW ' Zero time ' and silence Work and 205 EIGHTH INTERVIEW.
... mean money . ( John Cage : footnote of 1972. ) " By ' politics , ' here I mean power . ( John Cage : footnote of 1972. ) NINTH INTERVIEW ' Zero time ' and silence Work and 205 EIGHTH INTERVIEW.
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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able accept according activities already appear asked audience become began begin believe better Certainly chance Ching close comes completely composer concert consider continue course critics David Tudor devotion don't electronic emotions entire everything example exist experience fact feel footnote of 1972 give happens idea important included interested it's John Cage less listen live longer mean mentioned Merce mind musicians nature never noises object once operations orchestra organization particular performance perhaps person piano piece play possible prefer present problem produce question recent recording relationship remain result score seems sense separate silence situation sometimes Song Books sounds space structure talk tapes That's theater things Thoreau thought University utilities Variations writing