For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 44
... notation for your Concerto for Piano and Orchestra , in 1958 . J.C .: And also for my Variations . D.C .: The first time you open this kind of score , you can't help being struck not only by the unusual character of many of the ...
... notation for your Concerto for Piano and Orchestra , in 1958 . J.C .: And also for my Variations . D.C .: The first time you open this kind of score , you can't help being struck not only by the unusual character of many of the ...
Seite 59
... notation of your scores is ambiguous . Why ? J.C .: I have decided that my task is to open up the personality ; I also want to open up the work so that it may be interpreted in various ways . QUESTION : But aren't your ' indeterminate ...
... notation of your scores is ambiguous . Why ? J.C .: I have decided that my task is to open up the personality ; I also want to open up the work so that it may be interpreted in various ways . QUESTION : But aren't your ' indeterminate ...
Seite 121
... notation , conceived as a means of liberating time The performer's revolt The meaning of space : superimposed works and non - linearity A criticism of recordings : Variation IV About Cartridge Music From object to process Live ...
... notation , conceived as a means of liberating time The performer's revolt The meaning of space : superimposed works and non - linearity A criticism of recordings : Variation IV About Cartridge Music From object to process Live ...
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able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff words writing Xenakis