For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 58
... Perhaps it becomes more difficult , in a situation of heightened amplitude , when one is surrounded by a music of stronger intensity . But it is more effective . One opens up even more . QUESTION : That is asceticism . J.C .: Certainly ...
... Perhaps it becomes more difficult , in a situation of heightened amplitude , when one is surrounded by a music of stronger intensity . But it is more effective . One opens up even more . QUESTION : That is asceticism . J.C .: Certainly ...
Seite 182
... Perhaps I'll even start singing ! D.C .: When you talked about Cheap Imitation , you spoke of love . Do you mean that the tranquility which otherwise plays a central role in what you value - referring to Indian aesthetics – can ...
... Perhaps I'll even start singing ! D.C .: When you talked about Cheap Imitation , you spoke of love . Do you mean that the tranquility which otherwise plays a central role in what you value - referring to Indian aesthetics – can ...
Seite 212
... perhaps make use of wind instruments in the last section.1 - D.C .: If I can judge by your description , your finished product will be a gigantic choral , symphonic , but most of all , electronic poem ... J.C . : ... On the history of ...
... perhaps make use of wind instruments in the last section.1 - D.C .: If I can judge by your description , your finished product will be a gigantic choral , symphonic , but most of all , electronic poem ... J.C . : ... On the history of ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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