For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 37
... piano . A giant myth has enveloped that prepared piano . You yourself noted that music critics hardly ever bothered to find out exactly what was in the piano once you had finished preparing it . Sometimes , in addition to what you ...
... piano . A giant myth has enveloped that prepared piano . You yourself noted that music critics hardly ever bothered to find out exactly what was in the piano once you had finished preparing it . Sometimes , in addition to what you ...
Seite 38
... piano ? J.C .: Yes , to place in the hands of a single pianist the equivalent of an entire percussion orchestra . D.C .: A principle of economy . J.C .: With just one musician , you can really do an unlimited number of things on the ...
... piano ? J.C .: Yes , to place in the hands of a single pianist the equivalent of an entire percussion orchestra . D.C .: A principle of economy . J.C .: With just one musician , you can really do an unlimited number of things on the ...
Seite 194
... piano and the metallic noises sounded when recorded . So I decided to prepare the piano to make it sound better and to avoid any fluctuations in resonance - which often occurred at that time in recordings . For the Calder film - my last ...
... piano and the metallic noises sounded when recorded . So I decided to prepare the piano to make it sound better and to avoid any fluctuations in resonance - which often occurred at that time in recordings . For the Calder film - my last ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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