For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 36
Seite 48
... possible anywhere but in Buddhism ? J.C .: It is very difficult to discuss it because the experience of life is different for each one of us . But we seek to make each one feel , in his own way , his own experience . D.C .: You reject ...
... possible anywhere but in Buddhism ? J.C .: It is very difficult to discuss it because the experience of life is different for each one of us . But we seek to make each one feel , in his own way , his own experience . D.C .: You reject ...
Seite 51
... possible , without any connection . D.C .: Moreover , your ' indeterminate ' works were supposed to take space into consideration . J.C .: It was a question of avoiding all fusion between sounds ; and to do this , the musicians had to ...
... possible , without any connection . D.C .: Moreover , your ' indeterminate ' works were supposed to take space into consideration . J.C .: It was a question of avoiding all fusion between sounds ; and to do this , the musicians had to ...
Seite 135
... possible ... Yes , I believe that's the case . So from the outset I had envisioned the possibility of combining those works . But you see , once I had suggested that each of these scores could on occasion go with another , people were ...
... possible ... Yes , I believe that's the case . So from the outset I had envisioned the possibility of combining those works . But you see , once I had suggested that each of these scores could on occasion go with another , people were ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff words writing Xenakis